Bedevilled by guilt, his unnamed parents – He (Willem Dafoe) and She (Charlotte Gainsbourg) – retreat to a cabin in the woods called Eden. And yet nothing – but nothing – could prepare us for the film that followed.Īntichrist opens, simultaneously, with a blaze of unsimulated sex and the death (simulated, one hopes) of a child, who topples from an upstairs window and cannons into the snow below. This, after all, is the man who once dumped his festival prize in a dustbin, who dragged Nicole Kidman through the wringer in Dogville and provoked hoots of outrage when he won the Palme d'Or for his death row musical, Dancer In The Dark. Over the years the international press has grown accustomed to the antics of the puckish Dane. "Antichrist." At the Cannes film festival, where the film was unveiled in May, the audience responded with indulgent laughter.
The director was regularly entrusted with films that were aimed at international success, like his Bond spoof OK Connery, starring Sean's brother Neil! More notably, Alberto De Martino soon delivered a riff on The Omen. The location work in and around Rome, and the huge complex sets are lush by comparison with many other Italian horrors.
I've recently seen this called 'low-budget', but that's not my impression. The variable optical compositing often fails to convince, but a bold use of back (front?) projection is still effective, especially when all the colours are distorted.Įntertaining in many ways, The Antichrist includes some great moments of W.T.F.! My favourite being the volleys of low-flying vinyl during the exorcism. The fake toad and snake anticipate similarly unsuccessful moments in Lucio Fulci horrors. Sometimes it all evokes surreal dreams, other times just presents awful effects. The cross-cutting, seventies styles and dated special effects will amuse as much as they convince.
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This still favours a supernatural angle because the regression therapy leads her to a series of spectacular witch flashbacks! Rather than have the story dominated by a priest tackling a possession, the story delays any religious intervention by having a psychiatrist try to cure her. They include a spinning head, white eyes, lots of moving funiture, and even a stair fall. Rather than Washington D.C., The Antichrist is set in Rome - a much more picturesque capital. This has been creatively done, and adds to the enjoyment. Only on this recent rewatch, on the UK DVD, did the story finally make sense to me.īesides borrowing shock moments, the filmmakers had to avoid being sued, evoking visual elements and story ideas from The Exorcist while giving them a lawsuit-avoiding twist. The scene with the Devil I remember very little of, and that was certainly the most likely to be censored down - with sex acts, extensive nudity and, um, a goat.
I remember the vomit, but not much swearing. To their credit, the filmmakers had done their best to deliver shocks similar to The Exorcist, assuming that they would be also allowed to show anything that William Friedkin had already.
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